Hecho en Tejas: An Anthology of Texan Mexican
Literature
Edited by Dagoberto Gilb
Southwestern Writers Collection Series, The Wittliff Collections
Publisher: University of New Mexico Press, 2006
544 pp., 20 color plates, 55 halftones
Price: Hardcover: $39.95/Paperback: $29.95
Hecho en Tejas is a historic anthology that establishes
the canon of Mexican American literature in Texas. With close to
one hundred selections chosen, the book reaches back to the sixteenth-century
exploration narrative of Texas's first Spanish-speaking writer,
Alvar Núñez Cabeza de Vaca. It features prose by Américo
Paredes and Jovita González, Rolando Hinojosa and Tomás
Rivera, Estela Trambley Portillo, and Sandra Cisneros. Among the
poets included in the anthology are Ricardo Sánchez, Carmen
Tafolla, Angela de Hoyos, and Abelardo "Lalo" Delgado.
Hecho en Tejas also includes corridos from the turn of
the century and verses sung by music legends such as Lydia Mendoza
and Santiago Jimenez, Sr., Freddy Fender, and Selena. In addition
to these established names, already known across the United States,
Hecho en Tejas introduces such younger writers as Christine Granados,
Erasmo Guerra, and Tonantzin Canestaro-Garcia, the famous Tejano
authors of tomorrow.
In assembling this canonic reader, Dagoberto Gilb has created
more than an anthology. Read cover to cover, Hecho en Tejas
becomes not only a literary showcase, but also a cultural and historical
narrative both for those familiar with Texas Mexicans and for outsiders.
Hecho en Tejas is a mosaic portrait of the community, the land and
its history, its people's sorrows and joys, anger and humor and
pride, what has been assimilated and what will not be.
Winner of a PEN Texas award for Nonfiction, 2007
"...[an] extraordinary book of Texas-Mexican writings...There
is an absence in these pages of the pretentious experimentation
for its own sake that controls much of American poetry and fiction
today."--Dallas Morning News
"...[a] handsome volume...a wide, inclusive and nonjudgmental
view of a peculiarly Texas cultural phenomenon with a long history...
One could expect that a book like this would open the gates to an
increasing and continuous flood of Tejano writing."--San
Antonio Express News
"Hecho en Tejas at last makes the convincing case
that the body of works written by Texans of Mexican descent is neither
incidental nor peripheral to Texas literature. This is a masterwork
of Texas literature that belongs to all of Texas."--El
Paso Times
"...breaks new ground on the old battlefields of race, culture,
language, and genre."--San Antonio Current
"...Gilb's anthology invitingly and officially allows us
all to join him as we go 'Onward y adelante!' It's about time."--Southwestern
American Literature
"...the wealth of information, the style and degree of importance
placed on each sample of writing, photography, and artistic images
found in [Hecho en Tejas] serves as priceless treasure to be consumed
within its own treasure chest...[Hecho en Tejas] is here to stay,
hopefully like a seed planted in the feritle minds of its readers."--Newspaper
Tree, El Paso
"Hecho en Tejas is a triumph."--Austin
Chronicle
"A prolific and accomplished writer, Gilb presages this unique,
lively collection with a unique, jaunty introduction--a fine example
of the blend of gravity and levity in Texas Mexican literature...One
finds familiar texts and voices, delightful surprising inclusions,
and recent voices...Highly recommended."--Choice Magazine
"Gilb's anthology boasts a list of truly remakable authors--not
just 'Mexican-American' authors but 'authors' without the minority
label."--Houston Chronicle
"This anthology shatters stereotypes, offers insightful historical
and cultural reflections and showcases Tejano writers, some very
much alive and mostly of the 20th century."--Fort Worth
Star Telegram
"...an extraordinary collection....Hecho en Tejas shows the
richness of the Tejano literary culture."--East Texas Historical
Association
Dagoberto Gilb spent sixteen years working as a construction worker,
twelve as a highrise carpenter with the United Brotherhood of Carpenters.
He is the author of The Magic of Blood (University of New
Mexico Press), which won the 1994 PEN/Hemingway Award and was a
PEN/Faulkner finalist, The Last Known Residence of Mickey Acuña,
Woodcuts of Women, and Gritos, which was a finalist
for the National Books Critics Circle Award. He has been the recipient
of a Guggenheim Fellowship and a Whiting Writers' Award. His work
has appeared in The New Yorker, The Threepenny Review, Harper's,
and The Best American Essays. His latest novel, The
Flowers, was published in 2008. Born in Los Angeles, he made
his home for many years in El Paso and now lives in Austin, Texas.
|