Beverly Lowry Papers

1950-1998

   

10 linear feet

19 document boxes, one scrapbook

 

Note: Additional Beverly Lowry archives have been received since this on-line inventory was compiled. Contact the archivist for the latest information on our holdings.

 

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Acquisition:  Gifts donated by Beverly Lowry, 1994-1998.

 

Access:  Direct inquiries to Archivist, Southwestern Writers Collection, Albert B. Alkek Library, 601 University Drive, San Marcos, Texas 78666-4604.  (512) 245-2313.

 

Processed by:  Amanda York, 2001.

 

Biographical Note

 

Beverly Lowry was born August 10, 1938, in Memphis, Tennessee, and moved with her family at age six to Greenville, Mississippi. She attended the University of Mississippi (1956-58) and graduated with a B.A. from Memphis State University in 1960. She married Glenn Lowry in June, 1960, and moved with him to Manhattan. There, she pursued acting and experimented in writing. After relocating to Houston in 1965, and sending the younger of her two sons to nursery school Lowry began to write stories, some of which blossomed into novels.  Lowry began teaching fiction writing as an associate professor at the University of Houston in 1976, while also pursuing acting, and serving on boards for the Cultural Arts Council of Houston, and for Houston Festival. Her fiction writing has typically been set in Texas and Mississippi. Her first two novels, Come Back, Lolly Ray and Emma Blue were both set in Eunola, Mississippi a fictional town much like her hometown of Greenville. Her next three novels and one work of non-fiction were set in Texas, with her most recent novel, The Track of Real Desires, being again set in the fictional Eunola, Mississippi.

The Lowrys lived just outside San Marcos along the San Marcos River from 1981-1991. One of the LowrysÕ two sons, Peter, died in a hit-and-run accident on the highway from San Marcos to their home in 1984. This experience and other personal losses in the early 1980s Òcaused a marked change in the tone of LowryÕs fiction. Gone is her unqualified faith in the future; present is a new preoccupation with fate or chance, even a hint that felicity may invite disaster,Ó (Contemporary Southern Writers, St. James Press, 1999).  These themes of isolation and alienation appear in The Perfect Sonya (1987), The Track of Real Desires (1994), and clearly in Crossed Over : A Murder, A Memoir (1992). Beginning in 1989, Lowry approached and visited convicted pick-axe murderer Karla Faye Tucker, on death row in Hunstville, Texas. Crossed Over relates the story of Karla Faye Tucker as well as some of LowryÕs own personal story, resulting in Òfar more than the usual true-crime tale. Lowry interwove the story of her own troubled son with a chilling account of TuckerÕs dangerously out-of-control life to achieve an understanding of the human being behind an ostensibly inhuman act; her leap of imagination and empathy enabled her, at last, to make peace with PeterÕs death,Ó (Texas Monthly, Feb. 2001). Lowry moved to Los Angeles in the early 1990s, and currently teaches at George Mason University, in Virginia. She continues to write essays and non-fiction, and has been working on a biography of Madame C. J. Walker, the first African-American woman to become a self-made millionaire.

 

 

Scope and Contents

 

Numerous typescript drafts, correspondence, notes, clippings, journals and photographs, ranging in date from 1950-1998, document Beverly LowryÕs writing career. The bulk of the papers relate to four of LowryÕs seven published books, with The Perfect Sonya and Crossed Over being the most fully represented.

 

Series Summary

 

Series 1: Works (1950-1998)

            Subseries A: Novels (1978-1998)

            Subseries B:  Poetry (n.d.)

            Subseries C: Short Stories (n.d.)

            Subseries D: Articles / Reviews by Lowry (1979-98)

            Subseries E: Research papers and school notes (1950s)

            Subseries F: Sketches, n.d.

 

Series 2: Correspondence (1978, n.d.)

 

Series 3: Clippings (1977-1982, n.d.)

 

Series 4: Publicity (n.d.)                     

           

Series 5: Computer disks (n.d.)                                                                                  

 

Series 6: Personal (1960-75, n.d.)

 

Series 7: Artifacts (n.d.)

 

Series Descriptions

 

Series 1: Works (1950-1998): This series is divided into six subseries: Novels, Poetry, Short Stories, Articles/Reviews, Research Papers, Sketches:

           

A: Novels (1978-1998): Annotated  typescripts for DaddyÕs Girl, The Perfect Sonya, Crossed Over, and The Track of Real Desires comprise the bulk of this subseries, with extensive research notes, correspondence, and photographs related to Crossed Over.

     

B:  Poetry (n.d.): Works in this subseries are undated, although they appear to date from early on in LowryÕs career.  Poems have been arranged in alphabetical order by title; most are handwritten or typed.

     

C: Short Stories (n.d.): LowryÕs short stories have been arranged in alphabetical order. Although they are undated, it is probable that some date from as early as the late 1970s, when Lowry began writing short stories, some of which became novels. One story at the end of this subseries is by Glenn Lowry.

     

D: Articles / Reviews by Lowry (1979-98): This subseries includes a sampling of LowryÕs published articles and reviews of books by others. Apart from one annotated galley, the remaining six articles and reviews are strictly photocopies of the published item.

 

E: Research papers and school notes (1956-59, n.d.): These research papers and school notes are from LowryÕs drama and music coursework at the University of Mississippi and at Memphis State University, and are arranged in alphabetical order.

     

F: Sketches, n.d.: One folder of pencil sketches of flowers, human figures, and other subjects, undated and unsigned, but likely by Lowry.

 

Series 2: Correspondence (1978-90, n.d.): This series is comprised of one folder of correspondence including personal notes and publishersÕ requests of Lowry to read specific books and comment on them.

 

Series 3: Clippings (1977-82, n.d.): News clippings in this series relate to LowryÕs writing career, and have been arranged chronologically.

 

Series 4: Publicity (n.d.): Four undated photographs are included in this series: 3 black and white  photographs of a Come Back, Lolly Ray manuscript exhibit, and 1 color photograph of Lowry at book signing for the short story compilation, Common Bonds, with other authors.  

 

Series 5: Computer disks (n.d.): Fourteen 5.5Ó floppy disks, many labeled as ÒPaulineÓ, which was a working title for The Perfect Sonya.

 

Series 6: Personal (1960-75, n.d.): This series includes journals, a college diploma, and materials related to LowryÕs sons. The three bound journals are undated, and include notes about LowryÕs daily life and writing projects. The college diploma is from Memphis State University, 1960, and includes a torn photograph of Lowry from that time period. The materials related to LowryÕs sons include poetry and drawings to and by Peter and Colin Lowry.

 

Series 7: Artifacts (n.d.): This series contains one item: a Kaypro word processor.

 

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